Pimps of Joytime w/ Toubab Krewe

Pimps of Joytime w/ Toubab Krewe

Thu, February 15, 2018

Doors: 8:00 pm / Show: 9:00 pm

$10 Early Bird / $15 Advance / $18 Day Of Show

This event is 16 and over

Pimps of Joytime
Pimps of Joytime
When it comes to throwing a party, the Pimps of Joytime raise the bar with swagger to spare. Rhythms and textures drawn from New Orleans funk, 90s club house, 60s salsa and hip-hop all collide and fracture upon one another on their new LP, Jukestone Paradise. Dubbed “raucous and captivating” by Okayplayer, their album cuts play like the soundtrack for a ride through Brooklyn’s diverse neighborhoods, where the group’s sound materialized.
And the Pimps’ live experience only takes it higher.
Over the past decade, the group’s grassroots following mobilized from the underground club scene in New York to sell out historic venues like the Fillmore in San Francisco and earn top billings at music festivals across the US and Europe. Quite simply, the Pimps’ dancefloor is magnetic. But word spreads to the wise when you pair high-caliber musicianship with melodies and beats that are as universally enticing as they are unconventional.
The Pimps of Joytime’s first album High Steppin’ caught NPR off guard when it dropped in 2007, as its editors raved, “It has it all: soul, funk, punk, afrobeat, rap. I’ve not heard anything quite like it.” The group’s 2011 release Janxta Funk! extended their movement even further into the mainstream circuit, with the title track seeing more than 1 million plays on Spotify to date.
Guitarist and singer Brian J is the mastermind behind the Pimps’ evolving mosaic of mixes and remixes, producing all of the bands’ records as well as other solo records for New Orleans legend Cyril Neville and Corey Henry of Galactic. His genius is only elevated by bassist David Bailias, who doubles as DJ, subtly weaving EDM club beats and synth keys throughout the Pimps live show. Over top comes drummer John Staten’s funky break beats, which land in sync with the live percussion and siren-like vocals of Mayteanna Morales and Kim Dawson.
You might accurately call the them a ‘post-genre’ band; a group whose sound—even within a single song—mirrors the diversity of our generation’s musical tastes. It all goes into the Pimps’ soulful roux, built on a foundation of rhythm and groove.
Toubab Krewe
Toubab Krewe
Some music cannot be found on a map or within iTunes categories. Some music is so original it seems snatched from the great, invisible substrata that runs below all human activity, a sound aching to be born without a flag or fixed allegiance – free, questing, overflowing with immediate, tangible life. This is the music of Toubab Krewe, the vibrant Asheville, NC-based instrumental powerhouse that creates a sonic Pangaea that lustily swirls together rock, African traditions, jam sensibilities, international folk strains and more. While nearly impossible to put into any box, it takes only a few moments to realize in a very palpable way that one is face-to-face with a true original who recognizes no borders in a march towards a muscular, original, globally switched-on sound.
This is a band that actively draws inspiration from whatever source floats into their purview, something they’ve exhibited in their half decade of heavy gigging, including regular appearances at major U.S. festivals like Bonnaroo, High Sierra, Rothbury and Wakarusa, and abroad at such legendary gatherings as Festival In The Desert in Mali. Their globe-hopping propensity has made them an emerging headliner at their hometown’s famous Orange Peel and a familiar face as similar venues throughout the country. Whether on their own or collaborating with luminaries like the Last Poets’ Umar Bin Hassan or Uncle Earl’s Rayna Gellert, Toubab Krewe has already earned the attention and respect of a broad musical community.
Toubab carries echoes of African greats like Ali Farka Toure, Orchestra Baobab and Salif Keita, no doubt picked up during the group’s travels to study and live in Guinea, Ivory Coast and Mali. But what truly differentiates Toubab Krewe from other Statesiders inspired by African music is how they innovate on what they’ve learned instead of simply recreating tradition. Toubab Krewe carves out a new trail honoring the African originators they admire by making something alive and contemporary.
Venue Information:
Aggie Theatre
204 South College Avenue
Fort Collins, CO, 80524
http://www.aggietheatre.com/